TANAH AYER: Malaysian Stories from the Land

TANAH AYER: Malaysian Stories from the Land

curated by Eva McGovern
April 29 - May 22, 2011

at Gallery B and Wing Gallery
Selasar Sunaryo Art Space

opening:
Friday, April 29, 2011, 7 pm
officiated by AD. Pirous

artist talk:
Saturday, April 30, 2011, 12 pm

Participating Artists:
Ahmad Zakii Anwar, chi too, Chong Kim Chiew, Chong Siew Ying, Eiffel Chong, Flica + Fairuz, Gan Chin Lee, Goh Lee Kwang, Jalaini Abu Hassan, Kow Leong Kiang, minstrel kuik, Sharon Chin, Sun Kang Jye, Tan Nan See, Vincent Leong, and Yee I-Lann.

The Tanah Ayer or, the concept of homeland contains our lived experiences and our sense of belonging. Selecting artists from a broad range of generations and media, the exhibition aims to highlight the complexities of the Malaysian experience as negotiated by a relationship to the land and environment.

Malaysia is a country filled with contradictions. The contemporary moment is a repetitive cycle of sensational politics and blind economic progress that leaves the population in a constant state of exasperation. Often the past, fondly remembered for being more optimistic and progressive, seems like a foreign country when compared to the present.

Current government schemes for modernity ignore local needs of belonging and continuity. Expanding oil palm plantations corrupt bio-diversity, blind cultural restoration erases the intimacy of local history, highways segregate and prevent urban cohesion and needless shopping malls monopolise public spaces destroying heritage sites in the process. Increasing Islamic conservatism propagated by racially divisive government politics has led to much anxiety, compelling many Malaysians to yearn for not only a return to the past, but the pragmatic reinvention of its halcyon days to serve the needs of the now and the future.

Dividing the exhibition into three sections - Poetics/Puitis, Traffic/Trafik, and Entropy/Entropi - Tanah Ayer constructs a textured narrative by considering the abstract affinities between the artists and the land, the movement of people across geography, as well as a critique on the destructive dimensions of the Malaysian dream, respectively. By interrogating the symbolic and aesthetic values of space as well as individual attachment to place and identity, the show presents complex artistic responses to politics, economic progress and shifting cultural values of race, religion and class.

Eva McGovern